Kind of similar to Paul and SWEET SPIRITS OF NIGHTER, this was a short I’d been seeking out for years, ever since I’d read about its existence in the book, Mel Blanc: The Man of a Thousand Voices. Mel did a decent amount of television appearances with Jack Benny, but I highly suspect that was more out of loyalty to Benny than anything else. Mel himself admitted he didn’t feel particularly comfortable on camera, so his film appearances are much more limited. He was in a Red Skelton film, has a bit in a Billy Wilder film, he has an interesting part in a Spike Jones Soundie, “Clink, Clink Another Drink”. As far as I’m aware, though, GOLD IS WHERE YOU LOSE IT is the only time he ever appeared in a live action comedy short. And, yeah, they really take advantage of his presence. I too love all of his cartoon references. The Porky Pig voice, the Woody Woodpecker laugh, even the part where he’s biting the cigar has traces of Bugs Bunny in it. In my opinion, he was just as much of a natural comedian on camera as he was off, it’s just that he preferred lending his talent to cartoon voices, and the world was all the better for it.
As far as the rest of the short goes, it’s perfectly acceptable. Andy Clyde is a very hit-or-miss comedian for me; he definitely has a distinct face and voice, but he kind of does fall into that category where the writers could have given him something that was written for someone else and not have to worry too much about character changes. Clearly that’s the case here given the YES, WE HAVE NO BONANZA connection, although I have to admit SOLDIER MAN was actually the first thing that came to mind when it came to the exploding mule part. Andy and Emmett do a good job when it comes to this part and I also have to admit I liked the addition of the mule coming back and making Andy and Emmett think it was a ghost. The climax with them throwing rocks is a bit dull, but that’s really the only problem I have with it. It’s a fun short overall, not great, but Andy and Emmett do perfectly fine with the material they’re given and of course having Mel Blanc there really gives it an extra edge. I too was disappointed by the film quality, but finally being able to at least see it is good enough for me.