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Convict 13 (1920) - Buster Keaton

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Offline Paul Pain

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http://www.busterkeaton.com/Films/B02_Convict_13.html
https://upload.wikimedia.org/wikipedia/commons/f/f9/Convict_13_%281920%29.webm

Watch CONVICT 13 in the link above.

We have here a most difficult short.  The short is magnificent start to finish, but only in post-primary viewings.  The reasons are found in the many plot holes that only make sense once you understand the ending, but I can't rant about those.   But this was the first Keaton filmed I ever watched, and it got me hooked.

The physical comedy in this one surpasses ONE WEEK.  We have the medicine ball mace attack, a bungee cord noose, sledge hammers used Three Stooges style, and everything else in between.  I wonder if this served as inspiration for Curly's rage at the end of PUNCH DRUNKS?

The acting is fantastic as always.  And the hangman?  That's Buster's right hand man in directing and writing, Edward Cline.

Watch it once, and the plot holes are confusing.  Watch it twice, and it's a friend for life.

9/10 [poke] [poke] [poke] [poke] [poke] [poke] [poke] [poke] [poke]
#1 fire kibitzer


Offline Umbrella Sam

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I agree. This is a great short with physical comedy that could be better than ONE WEEK if it weren't for the plot holes. The ending does solve most of them, although the fact that the prisoner escaped before Keaton was knocked out is still a problem. In addition, the ending means that all we saw was for nothing. While it's still impressive that Keaton the actor could do these things, unfortunately, I wish it also technically could have been Keaton the character doing these things as well. I know that seems like a minor point that won't bother most people, but it does sort of bother me.

That one problem does not really ruin the short for me, though. It is still packed with laughs throughout. Keaton's attempts to escape from the police are very fun to watch and Keaton's failed attempts to adjust to prison life are interesting as well, such as when he attempts to break the rocks. We also see Joe Roberts playing the villain for the first time (something we will be seeing more of in the future) and he also does a very good job. Even the stuff before Keaton gets knocked out is really good. Keaton really takes the "play it as it lies" rule in golf to the next level when he hits the ball on the water.

It's still a very good short that I enjoy very much. This was very close to a 10, but I do think I'll mark it down one point for the problems with the plot.

9 out of 10
“I’ll take a milkshake...with sour milk!” -Shemp (Punchy Cowpunchers, 1950)

My blog: https://talk-about-cinema.blogspot.com


Offline Big Chief Apumtagribonitz

If you can mentally supply stooge-type sound effects to the mayhem in this one, you might come to the same conclusion I did:  this is more violent than any stooge comedy ever.  The body count is at least as high as Grips, Grunts, and Groans.  Way back when on this site, someone was tallying up the hits in each stooge episode, and I bet that this one is at least a match, although I'm not myself going to do that math.  Also, I'm not complaining, you understand.  And is this the best available print?  I hope not.


Offline falsealarms

I watched this for the first time today, after watching The High Sign and One Week. The High Sign was okay. One Week was pretty good. But Convict 13 was even better. The short's million miles a minute pacing was a huge plus, and the physical comedy was superb. At least on the version I watched, a lively and at times cartoon-like score just added to the experience. I rank it among the best Keaton shorts I've seen, which include the ones mentioned here plus his Columbia and Educational output. I saw those sound shorts years ago, but am just getting into his silent shorts now.

I can only hope the rest of his silent shorts match Convict 13.

Hamiltonbook.com has Kino's 3-disc Blu-Ray set of Keaton's 1920-1923 shorts for $7.95. It's loaded with quality extras, too. A no-brainer for me at that price. Kino's stuff is rarely discounted that much. That set has arguably been surpassed by a more recent one from Kino covering 1917-1923, but you're not getting that for $8 and the extras weren't carried over.

Convict 13 seems to have varying running times. The one linked here runs 24 minutes. The one on the 1920-1923 set runs 19. The one on the 1917-1923 set runs 21.


Offline metaldams

      Stooge fans, shocked to see this not mentioned.  We have a prison hanging gag with inmate spectators being served by a concession guy like it's a baseball game.  The hanging fails, though in Keaton's case, this aspect is much better because we see a bouncing bungee jump cord comic effect versus a random cut away of the Stooges on the ground. Trivia - What Stooge film did this appear in? 

      CONVICT 13 is a flat out awesome short.  The golf stuff for the first few minutes is fantastic.  Buster can make a simple task like missing a put fascinating, which takes a lot of skill.  The pool like cue shot at the end is a nice touch and the business where the ball lands in the water and the ball gets swallowed by the fish is also delightful.  Keeping up with animals grabbing golf balls, the dog grabbing the ball mid put is classic surprise the audience hilarity.  The camera set up is perfect, no foreshadowing, just one shot of the dog running from the side taking everyone by surprise.  Also love the concept of Buster trying to impress cute as a button Sybil Seely with his golf game and she outplays him.

      The chase to get Keaton into the prison, with all the surprise turns, is well thought out and the rows of prison guards following Keaton on the streets definitely foreshadows the more famous similar scene in COPS.  Joe Roberts as the heavy gets his first great Keaton role, a wonderful comic menace in the same tradition as Eric Campbell with Chaplin.  There is one part where there is a cat and mouse game between he and Keaton where Roberts is behind Keaton waiting to grab him, and Keaton, without overemoting, has this frightened look on his face.  It's all in the eyes, a wonderful example of Keaton being expressive without overacting.  The mule kick at the end is again a surprise and perfectly time.

      As Big Chief mentions lots of violent comedy in this one, and it's all wonderful to watch.  I absolutely love this short and have nothing bad to say.  False Alarms, nice to see you watching these.  A thing about varying run times in silent films.  Sometimes it is because of footage in some prints not available in others, but silent film, unlike talkies (24 frames per second), can run at varying speeds, hence different times.

10/10
- Doug Sarnecky


Offline Big Chief Apumtagribonitz

Yes, the hanging scene is very much like Sweet Pie and Pie, the only reason I didn't bring it up is because I think someone else mentioned it not long ago in another thread.


Offline falsealarms

TCM article on the short - http://www.tcm.com/this-month/article/430454%7C0/Convict-13.html

"That we can enjoy Convict 13 today is something of a minor miracle--the ravages of time had eaten away at available copies until only fragments remained. Then, in the 1970s, Raymond Rohauer pieced together copies unearthed around the world to reassemble a nearly complete reconstruction."


Offline Paul Pain

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It's funny IN THE SWEET PIE AND PIE would come up, because I perused that thread looking for the original link metaldams posted several years ago, directing us to watch CONVICT 13 because of its similarities to that week's Stooges short.

Buster spanking the fish was a good moment.
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Offline Allen Champion

I've never understood why Raymond Rohaeur gets such bile heaped upon his name.   He rescued tons of silent comedies from destruction, engineered Keaton's comeback, and resurrected the reputations of dozens of forgotten Kings of Comedy like Langdon from obscurity.    Viva Rohaeur, that rotten SOB!
"What do you know of the blood, sweat and toil of a theatrical production? Of the dedication of the men and the women in the noblest profession of them all?"